there is much more to blues than just the common twelve-bar blues chord progressions. The first appearance of the blues is not well documented and is often dated as the period after the Emancipation Act in 1863. The blues emerged at the end of the 19th century after years of merging with numerous genres of music including spirituals, rhymed ballads, work songs or field hollers, and African shouts or chants. The blues have since influenced most all Western popular music, including jazz, rhythm and blues, country, and especially rock and roll. In 1912, Hart Wand's "Dallas Blues" became the first copyrighted blues composition to be published. Others followed. Blues music as it was before the 1920s is difficult to categorize as blues. Most songs were actually precursors to the blues, although often, the word "Blues" was in the song title. The recordings of artists such as Lead Belly (1888-1949) or Henry Thomas (1874-1950s?) provide a rare insight to the kind of music which preceded what eventually became the blues. Closely related to ragtime, the blues evolved from unaccompanied vocal musical traditions of West African slaves brought to America, yet no specific African musical form has been identified as the single direct ancestor of the blues. the first twenty to thirty years blues music was not clearly defined in terms of a chord progression. There were many blues in 8-bar form, such as "How Long Blues" by Leroy Carr (1905-1935), the widely recorded "Trouble in Mind" written by Richard M. Jones (1892-1945), and the Big Bill Broonzy (1898-1958) song, "Key to the Highway". By the late 1930s 12-bar blues became the unofficial standard although there would also be 16-bar blues, as in the instrumental, "Sweet 16 Bars," by Ray Charles (1930-2004.) hokum, a "colorful" style of music popular in the 1920s and 1930s. Often depicting African-American plantation life in a derogatory manner, hokum songs were fast-paced, bawdy, and comical with sexually suggestive, and sometimes explicit lyrics. Predominantly the accompanying music for the song and dance black-faced minstrel and vaudeville shows of that time period, hokum songs were usually played |